Commie Pinko Fag

May 21

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[video]

May 20

deviatesinc: Jimmie Daniels, 1940 Photo: Carl Van Vechten

deviatesinc:

Jimmie Daniels, 1940

Photo: Carl Van Vechten

Jimmie Daniels, 1940 Photo: Carl Van Vechten

Jimmie Daniels, 1940

Photo: Carl Van Vechten

May 19

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May 18

James Richmond Barthé Barthé was unique among African-American artists during the Harlem Renaissance in that he was the only one to exploit fully the black male nude for its political, racial, aesthetic, and erotic significance, as in Feral Benga and Stevedore. His homoeroticism is expressed in both Western mythological themes and in notions of the Africanized primitive. Although Barthé remained closeted all his life, he entered an established network of gay men and women soon after his arrival in Harlem in 1929. His penchant for homoerotic themes was encouraged by his friends in New York’s gay and artistic communities, which stretched across barriers of race, gender, and class.

James Richmond Barthé

Barthé was unique among African-American artists during the Harlem Renaissance in that he was the only one to exploit fully the black male nude for its political, racial, aesthetic, and erotic significance, as in Feral Benga and Stevedore. His homoeroticism is expressed in both Western mythological themes and in notions of the Africanized primitive.

Although Barthé remained closeted all his life, he entered an established network of gay men and women soon after his arrival in Harlem in 1929. His penchant for homoerotic themes was encouraged by his friends in New York’s gay and artistic communities, which stretched across barriers of race, gender, and class.

(Source: golden2golden.blogspot.com)

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May 17

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